This exhibition at Waley Art revolves around the artists' imaginings of hell. For instance, on the first floor, there's a scenic installation titled "Money talks-coin op machines (Money Can Make Ghosts Grind)" It requires coins to activate the piece, symbolizing the cyclical nature of existence. The concept here is that hell and the human world coexist; the only difference lies in the perspective we adopt to view them. In the basement, the CCTV content of "Hell Live Broadcast" overlaps with reality. Through surveillance cameras, viewers can witness the presence of hell's messengers within Waley Art's parallel spacetime. Similarly, on the second floor, the video "Hell Train Guide" creates an endless loop, akin to a perpetual cycle one cannot escape. Journeying through hell is portrayed as casually as a holiday trip to an amusement park, sometimes even more exciting than daily life, yet individuals are compelled to move forward like puppets.

The recurrent appearance of hell's messengers across these works, akin to recurring nightmares or the whims of fate, prompts reflection. However, through the lens of "changing perspectives to see that hell and the human world are not so different," it's reminiscent of the adage: "Humans are scarier than ghosts." Could it be that, upon a change in perspective, people become more malicious than the messengers of hell? When one realizes they're already living in a kind of hell, the fear of it dissipates because, compared to the horrors of human existence, hell seems less terrifying.

​